Hayworth's marriage to Welles in 1943, and subsequent divorce from the director and actor in 1948, garnered plenty of press. Hayworth starred in more than fifteen films in the two decades following The Lady From Shanghai, including Miss Sadie Thompson (1953), Pal Joey (1957), Separate Tables (1958), and Circus World (1964) for which she earned a Golden Globe nomination. The following year she starred in another film noir favorite, The Lady From Shanghai, which was directed by her then-husband, Orson Welles. A favorite of film noir fans, the film was chock-full of sexual innuendo, which included a controversial (tame by today's standards) striptease by Hayworth. Her stardom peaked in 1946 with the film Gilda, which cast her opposite Glenn Ford. Sometimes when I find myself getting impatient, I just remember the times I cried my eyes out because nobody wanted to take my picture at the Trocadero." "I like having my picture taken and being a glamorous person. Hayworth's high-voltage power of seduction was affirmed in 1944 when a photograph of her in Life magazine wearing black lace became the unofficial pin-up photo for American servicemen serving overseas in World War II.įor her part, Hayworth didn't shy away from the attention. The following year Hayworth starred in three more big films: My Gal Sal, Tales of Manhattan and You Were Never Lovelier. Astaire later called Hayworth his favorite dance partner. That same year she shared the dance floor with Fred Astaire in You'll Never Get Rich. In 1941, Hayworth took the screen opposite James Cagney in Strawberry Blonde. The moniker stuck, and only helped further her career and the fascination many male movie fans had with her. Her stunning, sensual looks greatly helped, and that year Life magazine writer Winthrop Sargeant nicknamed Hayworth "The Great American Love Goddess." Just two years after the relatively unknown actress shared the screen with Grant, Hayworth was a star herself. Critical praise came Hayworth's way as did more movie offers. International StarĪfter a few disappointing roles in several mediocre films, Hayworth landed an important role as an unfaithful wife opposite Cary Grant in Only Angels Have Wings (1939). Judson worked the phones and managed to get Hayworth plenty of press in newspapers and magazines, and eventually helped her get a seven-year contract with Columbia Pictures. On his advice, Hayworth changed her last name and dyed her hair auburn. In 1937, she married Judson, a man 22 years older than her, who would set the stage for his young wife's future stardom. Hayworth made her film debut in 1935, still using the name Rita Cansino, with Under the Pampas Moon, which was followed by a string of other films including Dante's Inferno (1935) with Spencer Tracy, Charlie Chan in Egypt (1935), Meet Nero Wolfe (1936) and Human Cargo (1936). It was on a stage in Agua Caliente, Mexico, that a Fox Film Company producer spotted the 16-year-old dancer and inked her to a contract. Still a young girl, Hayworth moved with her family to Los Angeles and eventually joined her father on the stage in nightclubs both in the United States and in Mexico. By the time Hayworth was 12, she was dancing professionally. Soon after their daughter was born, they shortened her name to Rita Cansino. Her father, the Spanish-born Eduardo Cansino, was a dancer, and her mother, Volga, had been a Ziegfeld Follies girl. Hayworth hailed from show business stock. She changed her last name to Hayworth early on in her acting career on the advice of her first husband and manager, Edward Judson. Hayworth was born Margarita Carmen Cansino on October 17, 1918, in New York City. Hayworth died of Alzheimer's disease on May 14, 1987. Her career ended with Ralph Nelson's The Wrath of God (1972). She is best known for her performance in Charles Vidor's Gilda (1946). American film bombshell Rita Hayworth originally trained as a dancer, but she hit stardom as an actress with her appearance in The Strawberry Blonde (1941).
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